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Lisa Brenneis - Final Cut Pro. For Macintosh.

Final Cut Pro. For Macintosh (Broché)

Lisa Brenneis

  • Addison Wesley

  • Paru le : 22/01/2001
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Takes a visual, task-based approach to teaching " Final Cut Pro ", using pictures to guide you through the software and show you what to do. Works like... > Lire la suite
  • Plus d'un million de livres disponibles
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  • Livraison à domicile sous 24h/48h*
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31,60 €
Expédié sous 2 à 4 semaines
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    entre le 11 septembre et le 25 septembre
  • Grand Format À partir de 30,50 €
    • Addison Wesley - 01/10/2001
      30,50 €

Résumé

Takes a visual, task-based approach to teaching " Final Cut Pro ", using pictures to guide you through the software and show you what to do. Works like a reference book - you look up what you need and then get straight to work. Concise, straightforward steps and explanations offer the fastest way to learn tasks and concepts. Affordably priced, because buying a computer book shouldn't be an investment in itself.

Sommaire

  • FINAL CUT PRO BASICS
    • Before you begin
    • Welcome to final cut pro
  • GETTING READY TO EDIT
    • Input : getting digital with your video
    • Preparing your clips
    • Introducing the viewer
  • THE CUT
    • Editing in Final Cut Pro
    • Using the Timeline and the Canvas
    • Fine Cut : trimming edits
    • Creating transitions
    • Rendering
  • POST-PRODUCTION IN FINAL CUT PRO
    • At last : creating final output
    • Big picture : managing complex projects
    • Compositing and special effects.

Fiche technique

  • Date de parution : 22/01/2001
  • Editeur : Addison Wesley
  • Collection : visual quickpro guide
  • ISBN : 0-201-35480-2
  • EAN : 9780201354805
  • Présentation : Broché
  • Nb. de pages : 510 pages
  • Poids : 0.82 Kg
  • Dimensions : 17,5 cm × 23,0 cm × 2,4 cm

À propos de l'auteur

Biographie de Lisa Brenneis

Lisa Brenneis has served as a teacher, author, panelist, and film production manager. Her production credits range from interactive digital media to educational films, animation to live action, documentary to poetic fantasy. Her clients have included Disney, MCA/Universal, the Getty Museum, the Library of Congress, the International Olympic Committee, Mattel, and more defunct new-media startups than you can possibly imagine.

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