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Kaeti & Company

Edition en anglais

  • Gateway

  • Paru le : 22/04/2013
Kaeti and her companions inhabit a strange world; a 'theatre of the mind' where the unexpected is commonplace, where ghosts, vampires and even the odd... > Lire la suite
3,99 €
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Kaeti and her companions inhabit a strange world; a 'theatre of the mind' where the unexpected is commonplace, where ghosts, vampires and even the odd goddess may be encountered at any turn. It is a tribute to the author's skill that Kaeti's world seems, at all times, as real as our own, sometimes uncomfortably so. Whether satirising the mores of the Thames Valley or exposing the curious antics of the publishing world, Roberts is equally at home.
He explores the gamut of human emotions; high comedy alternates with terror, the most delicate of love scenes are set against the iron dreariness of Death Row. Always though, at the focus, is Kaeti; witty and resourceful, resilient and vulnerable by turns. Some characters may change their roles with lightning speed, like the players i n a repertory company - but Kaeti remains. As does London. Robert always displays a knowledge of a city haunted by its own past, and a love for its highways and byways, that will surprise old fans and win him many new admirers.

Fiche technique

  • Date de parution : 22/04/2013
  • Editeur : Gateway
  • ISBN : 978-0-575-10431-0
  • EAN : 9780575104310
  • Format : ePub
  • Caractéristiques du format ePub
    • Protection num. : Contenu protégé

À propos de l'auteur

Biographie de Keith Roberts

Keith Roberts (1935-2000) Keith Roberts was an English author and illustrator, who did more than most to define the look of UK Science fiction magazines in the sixties. He won four BFSA awards for his writing and his art, and edited the magazine Science Fantasy (later Impulse) for a time. He was also nominated for Hugo, Nebula (twice) and Arthur C. Clarke awards. He is perhaps best known for his seminal alternative history novel, Pavane, praised by George R.
R. Martin: 'No alternate history novel of the past thirty years comes close to equalling Pavane'.

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