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Dear Dead Woman

Edition en anglais

  • The Murder Room

  • Paru le : 13/04/2013
A man is accused of murdering his wife - and all the evidence points to his guilt. Classic crime from one of the greats of the Detection Club'No author... > Lire la suite
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A man is accused of murdering his wife - and all the evidence points to his guilt. Classic crime from one of the greats of the Detection Club'No author is more skilled at making a good story seem brilliant' Sunday ExpressIt was a dark night, clammy with fog; an evil night when anything could happen. That was the night it all began - when the net of cruel circumstance began to close in around Jack Barton The body of his beautiful, murdered wife had rotted away in a trunk in the dark cellar where he had hidden it.
It was useless to say hiding the body was all he had done. It was pointless to insist he was innocent of her death. Who would believe him?

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À propos de l'auteur

Biographie d'Anthony Gilbert

Anthony Gilbert was the pen name of Lucy Beatrice Malleson. Born in London, she spent all her life there, and her affection for the city is clear from the strong sense of character and place in evidence in her work. She published 69 crime novels, 51 of which featured her best known character, Arthur Crook, a vulgar London lawyer totally (and deliberately) unlike the aristocratic detectives, such as Lord Peter Wimsey, who dominated the mystery field at the time.
She also wrote more than 25 radio plays, which were broadcast in Great Britain and overseas. Her thriller The Woman in Red (1941) was broadcast in the United States by CBS and made into a film in 1945 under the title My Name is Julia Ross. She was an early member of the British Detection Club, which, along with Dorothy L. Sayers, she prevented from disintegrating during World War II. Malleson published her autobiography, Three-a-Penny, in 1940, and wrote numerous short stories, which were published in several anthologies and in such periodicals as Ellery Queen's Mystery Magazine and The Saint.
The short story 'You Can't Hang Twice' received a Queens award in 1946. She never married, and evidence of her feminism is elegantly expressed in much of her work.

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