Friedemann Sallis obtained his PhD in musicology under the direction of the late Carl Dahlhaus at the Technische Universitt Berlin. His writings include a book on the early works of György Ligeti and numerous articles. He is the co-editor of A Handbook to Twentieth-Century Musical Sketches (2004).
Robin Elliott holds the Jean A. Chalmers Chair in Canadian Music at the Faculty of Music, University of Toronto.
He recently co-edited two books for WLU Press, Music Traditions, Cultures, and Contexts (with Gordon E. Smith, 2010) and Centre and Periphery, Roots and Exile: Interpreting the Music of István Anhalt, György Kurtág, and Sándor Veress (with Friedemann Sallis and Kenneth DeLong, 2011).
Kenneth DeLong is a professor of music history at the University of Calgary, Alberta. He has published extensively on Romantic Czech music.
He is also a music critic for the Calgary Herald and Opera Canada. Recent publications include chapters in The Unknown Schubert, edited by Barbara M. Reul and Lorraine Byrne Bodley (2008), and Henry Irving: a Re-Evaluation of the Pre-Eminent Victorian Actor-Manager, edited by Richard Foulkes (2008).