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And Death Came Too

Edition en anglais

  • The Murder Room

  • Paru le : 13/03/2014
Beautiful, amoral and ruthless - but was she a killer?Classic crime from one of the greats of the Detection ClubRuth Garside was framed for three killings.... > Lire la suite
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Beautiful, amoral and ruthless - but was she a killer?Classic crime from one of the greats of the Detection ClubRuth Garside was framed for three killings. But was she really guilty? As a girl, Ruth was accused of a dreadful crime; as a wife she was suspected of her husband's death; as a widow she was accused of her employer's murder. ­­'I can prove her innocence, ' cried Thomas Fogg KC. 'I can prove my own innocence, ' said Ruth.
'She's my client so she can't be guilty, and by heck, I'll prove it if it means the skies falling, ' declared Arthur Crook. Well - does he? And­ is he justified?

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À propos de l'auteur

Biographie d'Anthony Gilbert

Anthony Gilbert was the pen name of Lucy Beatrice Malleson. Born in London, she spent all her life there, and her affection for the city is clear from the strong sense of character and place in evidence in her work. She published 69 crime novels, 51 of which featured her best known character, Arthur Crook, a vulgar London lawyer totally (and deliberately) unlike the aristocratic detectives, such as Lord Peter Wimsey, who dominated the mystery field at the time.
She also wrote more than 25 radio plays, which were broadcast in Great Britain and overseas. Her thriller The Woman in Red (1941) was broadcast in the United States by CBS and made into a film in 1945 under the title My Name is Julia Ross. She was an early member of the British Detection Club, which, along with Dorothy L. Sayers, she prevented from disintegrating during World War II. Malleson published her autobiography, Three-a-Penny, in 1940, and wrote numerous short stories, which were published in several anthologies and in such periodicals as Ellery Queen's Mystery Magazine and The Saint.
The short story 'You Can't Hang Twice' received a Queens award in 1946. She never married, and evidence of her feminism is elegantly expressed in much of her work.

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